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Issue link: http://digital.hylandmagazine.com/i/117839
Credit: From Stuff, published by Pointed Leaf Press Public Domain Stuff arrives on the decorating, art and antiques scene at an embattled stage of the austere era, the period, still with us, when less equals more, at a point when opposing camps might be finding common ground: Maloney helps us on that journey, he helps us to move beyond the popular catalogue aesthetic, helps us to appreciate the joy of the hunt, the pleasure of possession and the reward of display. After all, you cannot buy from a homogenous catalogue a well-lived life, or for that matter, a Gesamtkunstwerk. The process requires the unexpected, the unusual, the imperfect, the imprint of life, direct human recognition. Maloney���s Stuff passionately argues for the life of objects as vital to our own. Maloney welcomes density and complexity back into our interiors, now with a refreshing variety and eclecticism, a sense that globalization applies to objects as well as information; deftly he employs the latter cutting-edge technology to assist us in connecting with the old, the very human-made or nature-made. We are reminded of the HYLAND