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Edition 17 Influence

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Image: Joshua WhiteJudd Foundation Archives Image © Judd Foundation into discerning new relationships, new unities. The fifth floor, which was Judd's and thenwife Julie Finch's bedroom in the 1970s, is a place of almost bombastic exhibition as well as repose. In the center of the floor is a large white padded mat on a flat platform, designed by Judd, which served as a bed, rather like a tatami. But all around are works of art overpowering in size and somehow kinetic in feeling, notably Dan Flavin's fluorescent work which mirrors the cast iron windows that line the Mercer Street side of the building. On the opposite wall is John Chamberlain's explosive sculpture, Mr. Press (1961). Of Chamberlain's regally crumpled and twisted works, the HYLAND

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