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Edition 17 Influence

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an oversized felt suit). Then there is the small, exquisite early Philip Taaffe painting, composed of orderly black calligraphic scrolls upon a greenish yellow striped background, a perfect statement, in paint, about the power of pattern. The dressmaker's dummy, which once belonged to esoteric couturier—and decorator— Charles James sports what looks like a very Beuysian grey strapless dress; can it be of felt? HYLAND

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