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Edition 17 Influence

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Image: Joshua WhiteJudd Foundation Archives Image © Judd Foundation Flavin artwork © 2012 Stephen Flavin/ (ARS), © Chamberlain artwork/(ARS), © Claes Oldenburg. elements—back and arms—in a tall wooden embrace, Judd achieved a structure which feels protective as well as comfortable. It is sleek, even slick, yet it is cozy. Judd made things plain, and yet they are hospitable. On the fourth floor of Spring Street is the following ensemble: an enormous Frank Stella painting, Concentric Circles (1967) and a huge table made by Judd, coupled with architect Gerrit Rietveld's famous zigzag chairs of 1934. Rietveld, designing furniture in the second decade of the twentieth century, is perhaps the designer most cognate to Judd: aiming for an ultimate simplicity in construction, his chairs—and the house he designed in 1924 for Truus Schroder in Utrecht—attain the status of art because, to lift Judd's words, he "didn't HYLAND

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