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Edition 11: A Crossroad & Destination

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Bronze by Mahonri Young In Coulter���s words, ���everybody around here calls her Rosie the Riveter. I empathize with her because everyone must be both connected to the world they���re in but be able to move outside it to ensure that what you have is sustained.��� The negligee clad figure of a woman, whose feet barely touch a mid-century jet plane as it ascends, is surrounded by the icons of domesticity, ranch houses and children. Remarkably, although this gently ironic work of art addresses the ascension of women, it does so in a way that does not transmit to the viewer a tension in the happening. No party to what is depicted is derided; the personae are accepted and exalted by the artist. HYLAND

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