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Edition 11: A Crossroad & Destination

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Robert Bidner���s East 63rd Street Brownstones columns, themselves suggesting the human figure, at the top of each staircase. Pairs of other windows surround these central byways, not unlike the light bulbs in Katz��� painting. Glancing from the center of the room at one painting and then to the other is an interesting study in viewing nature-made and man-made: there is power both in the couple and in these houses, a Coulter curatorial coup. Coulter has also adroitly placed, diagonally to the left and right, on the long wall opposite the entry door, two huge vertical portraits, Tough Tony and Steve, both by Barclay Hendricks. However sporting and casual their HYLAND

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