Invented Landscape #4, oil on linen, 30 x 40���
He is a new Impressionist, a macro Impressionist, who
embraces 19th century American artistic subjects, bringing
them forward to the 21st century, incorporating all that
has transpired in the interim. In one painting he places
front center on the canvas a long, decaying log, a theme
dear to the Hudson River School, thereby attesting to
his DNA. But in the Provincetown vortex he bridges the
worlds of Henry Hensche and Hans Hofmann, the former
an Impressionist, the latter an Abstract Expressionist.
HYLAND
