single component in the scheme appears to be relegated
to these distant shores due to inferior artistic importance.
Each is a star, each conceived expertly, each of outstanding
quality.
Nor is Pinto hesitant in the same Caribbean house to set aside
drama in favor of quiet, almost chaste understatement. The
nearly all white guest bedroom beneath the eaves does evoke
a sense of the temporary, the seasonal, which is a valued
aesthetic found in older summer retreats, from Normandy
to Nantucket. The aesthetic of this room announces,
through its collection of fish prints, an activity that might fill
the day. The robust internal hurricane shutters remind the
occupant that Mother Nature might provide bounty but also
HYLAND
