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the Reform of Sacred Art, in: Artibus et Historiae, Vol. 18, No. 36, p. 9-40, IRSA s.c., pp. 9ff 59 Ibid 60 Ibid 61 Joannides, P. (1995), Late Botticelli: archaism and ideology, in: Arte cristiana, p. 163-178, Scuola Beato Angelico, Milan, pp. 172ff 62 Ibid 63 Vasari, G. (2008), The Lives of the Artists, Oxford University Press, Oxford, p. 231 64 Dombrowski, D. (2010a), Dombrowski, D. (2010a), Botticelli: Ein Florentiner Maler ��ber Gott, die Welt und sich selbst, Wagenbach Klaus GmbH, p. 137 65 Joannides, P. (1995), Late Botticelli: archaism and ideology, in: Arte cristiana, p. 163-178, Scuola Beato Angelico, Milan, p. 163 66 Lisner, M. (1981), Leonardos Anbetung der K��nige: Zum Sinngehalt und zur Komposition, in: Zeitschrift f��r Kunstgeschichte, Vol. 44, No. 3, p. 201-242, Deutscher Kunstverlag GmbH, M��nchen, pp. 201ff 67 K��rner, H. (2006), Botticelli, DuMont, K��ln, p. 368 68 Alberti, G.B. (2004), pp. 91f 69 Hall, M., in Verdon, T. & Henderson, J. (eds.) (1990), pp. 493-522 70 Alberti, G.B. (2004), On Painting, Penguin Books Ltd, London, pp. 87f 71 K��rner, H. (2006), Botticelli, DuMont, K��ln, p. 375 72 Galizzi Kroegel, A. (2003), The Figure of Mary in Botticelli���s Art, in: Comerlati, D., et al. (eds.), Botticelli: from Lorenzo the Magnificent to Savonarola, Skira, Milan, pp. 65f 73 Scrase, D. (2011), Italian Drawings at the Fitzwilliam Museum, Cambridge, Cambridge University Press, Cambridge, p. 121ff HYLAND 33