Endnotes
1 Vasari, G. (2008), The Lives of the Artists, Oxford University Press, Oxford, p.
231
2 Arasse, D. (2003), Botticelli���s Manner, in: Botticelli: from Lorenzo the Magnificent to
Savonarola, Skira, Milan, p. 13
3 Bode, W. (1925), Sandro Botticelli, Propyl��en-Verlag, Berlin, p. 122
4 Ottley, W. (1823) The Italian School of Design, Taylor and Hessey, London
5 Gere, J.A. (1953), William Young Ottley as a Collector of Drawings, in: The
British Museum Quarterly, Vol. 18, No. 2, British Museum, London, pp. 45f
6 Scrase, D. (2011), Italian Drawings at the Fitzwilliam Museum, Cambridge,
Cambridge University Press, Cambridge, p. 121
7 Ulmann, H. (1893), Sandro Botticelli, Verlagsanstalt f��r Kunst und Wissenschaft
(vormals F. Bruckmann), M��nchen, p. 147
8 Horne, H. (1903), A Lost Adoration of the Magi by Sandro Botticelli, in:
Burlington Magazine for Connoisseurs, Vol. 1, No. 1, p. 63-74, Burlington
Magazine Publications Ltd, p. 64
9 Schulze-Altcappenberg, H.-T. (2000), Sandro Botticelli: Der Bilderzyklus zu Dantes
G��ttlicher Kom��die, Hatje Cantz Verlag, Ostfildern, p. 374
10 Ibid
11 Ibid
12 Ibid
13 Ibid
14 Cennini, C. (1960), The Craftsman���s Handbook: ���Il Libro dell���Arte���, Dover
Publications, New York, pp. 70ff, 103ff
15 Scrase, D. (2011), Italian Drawings at the Fitzwilliam Museum, Cambridge,
Cambridge University Press, Cambridge p. 122
HYLAND
29
