oblong, with a beamed ceiling stenciled in gold-leaf in a
pattern inspired by Fortuny, and an imposing full-length
window at one end, overlooking the hills. The room is
Italian in feeling and fact, with 18th century Italian consoles, a 1930s Murano chandelier and large gilded 18th
century Italian mirrors. Putti flank the window.
In another dining area, this one indoor-outdoor, a lattice of shadows is cast by a thatched bamboo roof, anchored by dark bands of wood, an echo, again, of Asia.
A round table in pale wood invites good company and
conversation.
HYLAND
