marshals the spirit of both great designers, not an inconsequential achievement.
In the atmosphere of these rooms one feels the purist
footprint of the early International movement unencumbered by the subsequent���albeit often exciting���Modernist figurative design language which was to come.
Instead, the added elements comprise design language
from previous centuries, subtly informing us of the relatedness of all design. Other pieces, such as Kathy Burge���s
work hanging above the corner living room chaise, bring
the twenty-first century into play.
The Baroque bench in the bedroom, the ancient map
above it, and the pair of Regency chairs in the living room
HYLAND
