E
ric Cohler demonstrates here, among a variegated
repertoire of design abilities, his mastery of the use of
white, a skill that has often eluded even the greatest of
artists. Sleek and modern with soul, this apartment rocks.
In the dining area, the large painting, ceremonial ram, rug,
and Mies Brno chairs and walls are, to varying degrees, a
sea of white enveloping the two highly architectural dining table bases. In this instance, Eric Cohler has made a
design statement that would have pleased both Sir Edwin
Lutyens���the bases���and Le Corbusier���the rest. Fittingly, though suprising to some, Le Corbusier considered
Lutyens, architect of the monumental Vice-Regal Palace
in Delhi, to be a modernist. Here Eric Cohler ingeniously
HYLAND
