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Edition 22

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HYLAND Whether she's costumed as a pink rabbit with green sunglasses dangling over carrots (a performance hinting at unmet desires), or in-side a brutish-looking, cavorting horse, Carr hopes her tactile ("physical experience") art will startle people, make them "deal with their baggage. Art isn't just pleasure. Disturbing people can make them think." After experiencing upside-down rabbits, and other heady fare, it is best to rejuvenate, to enjoy more serene visual treats. For that replenishment and the most stunning views in Oslo, especially at sun-set, go to the Ekebergrestauranten, which is situated in Ekeberg-sparken, a new sculpture park. Perched atop a hill, this c. 1929 classic offers an outdoor patio, several lounges, various menus, and breathtaking panoramas of the Oslo fjord. Far enough away from the dynamic art scene, this peaceful re-pose can lead to some thoughts about Oslo's trend setters. In the sun, The Thief and the Astrup Fearnley, do shine off in the distance, and that is to be expected. They reflect the city's great growth, its coming out of a conservative, and progress-denying shell. It barely matters if Stordalen might want to be larger than life, a star. A dynamic provocateur, Installation at Astrup An installation at Astrup Fearnley Museet Installation at Astrup An installation at Astrup Fearnley Museet Installation at Astrup

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