HYLAND
"It's really a new era for Oslo, a more extroverted
Oslo with a new kind of urbanism and willingness to
explore cutting-edge art," says the Fearnley's Director
and Curator, Gunnar B. Kvaran.
"In the past everything in Oslo was happening inside,
behind the curtain. Now there's a new exuberance in Oslo
stemming from prosperity, and the democratic sharing
of that wealth which has made people less conservative.
Now they are eager to explore new art forms, new
windows into different worlds. That's the Fearnley, a
window with two sides—a link or witness to our modern
Edvard Munch's Death at the Helm
