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nterior designer Doug Meyer is anything but derivative, and yet his work, electrically colored, fearlessly patterned (especially with stripes) seems, in part, an homage to late great British decorator David Hicks who was also unafraid of a certain cheerful quantity of Sturm and Drang in design. Meyer, along with his brother and design partner Gene, divides his time between New York and Miami, inhabiting in New York a one-bedroom apartment overlooking the High Line and Hudson River. A book should be written on how and why certain seminal decorators—Billy Baldwin and Van Day Truex come to mind—lived in small apartments. Sometimes limitation is the Sister Parish of invention, and Meyer's apartment epitomizes the restless decorator's desire to stretch the I HYLAND