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Pedersen began experimenting with small diameter steel rods in his studio, making the "chance discovery" of a swooping, intertwining form he felt embodied an almost "Platonic idealization of 'chairness'". Pedersen sought, like Stam and the other architects, to forge a single line tubular steel chair in which the arms "are naturally created as a product of the initial geometry, rather than as HYLAND Award winner, Folditure HYLAND