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Prince Rupert's manière noire . . . the book is etched, not painted, yet one feels the colour-values so intensely. . . ." "Who is he?" Mrs. Leveret whispered to her neighbour. "Some one she's met abroad?" "The wonderful part of the book," Mrs. Ballinger conceded, "is that it may be looked at from so many points of view. I hear that as a study of determinism Professor Lupton ranks it with 'The Data of Ethics.'" "I'm told that Osric Dane spent ten years in preparatory studies before beginning to write it," said Mrs. Plinth. "She looks up everything—verifies everything. It has always been my principle, as you know. Nothing would induce me, now, to put aside a book before I'd finished it, just because I can buy as many more as I want." "And what do you think of 'The Wings of Death'?" Mrs. Roby abruptly asked her. It was the kind of question that might be termed out of order, and the ladies glanced at each other as though dis- claiming any share in such a breach of discipline. They all knew there was nothing Mrs. Plinth so much disliked as being asked her opinion of a book. Books were written to read; if one read them what more could be expected? To be questioned in detail regarding the contents of a volume seemed to her as great an outrage as being searched for smuggled laces at the Custom House. The club had always respected this idiosyncrasy of Mrs. Plinth's. Such opinions as she had were imposing and substantial: her mind, like her house, was furnished with monumental "pieces" that were not meant to be disarranged; and it HYLAND