each room. The dining room is a veritable symphony
in citrine and palest amber yellow, furniture both
white and ebonized. In one of the living rooms Dalton
transmutes the same color scheme, with lush, pale
yellow velvet upholstery against a marvelous Chinoiserie
wallpaper in pale green silk with beige and pale lemon
figuration.
Dalton has not slighted pink. In what might be a ladies'
drawing room—this designer seems to apply a certain
traditional division of gender by color—walls, carpet
and ceiling are all done in various tones and patterns
of Chinoiserie in rose and white. The furniture, again, is
ebonized and gilded or white.
HYLAND
