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Edition 19: Outside The Obvious

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HYLAND A the entranceway to the Blain Di Donna art gallery, perched discreetly above street level on Madison Avenue between 76th and 77th streets, Dali's 1936 bronze Venus de Milo aux Tiroirs stands alluringly center stage amid a treasure trove of Dada and Surrealist objects. Whimsically, and a bit naughty, it transforms the classic sculpture of an idolized woman into breasts and drawers adorned with coquettish pom poms. An amusing divertissement, it is a $2 million prize for the sophisticated collector. "This Dali piece breaks all the boundaries," says Emmanuel Di Donna, a charming Parisian who came to New York a few years ago to fulfill his dream of owning a gallery. "Twentieth Century art is fascinating, and I'm just thrilled I have this special location." Dali's work dominates a museum- worthy array of Calder, Arp, Man Ray and Duchamp (particularly enticing, an encased, Blain Di Donna

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