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Edition 19: Outside The Obvious

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that would sweep over Western Europe from the late 18th Century. Although often antithetical or, at the very least, competitive, Wilson found a way to reconcile the ideals of both movements in his work. Neoclassicism revived the styles and spirit of ancient Greece and Rome in the both the literary and visual arts, not to mention architecture, as manifested by an onslaught of Greco-Roman columns, colonnades and triangular pedi- ments. Romanticism, on the other hand, was an artistic and intellectual movement that, put succinctly, was more individualistic, characterized by emotive expression and Richard Wilson, View near Wynnstay, the Seat of Sir Watkin Williams-Wynn, BT, 1770–71, oil on canvas, Yale Center for British Art, Paul Mellon Collection HYLAND

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