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is judicious and refined; here a white marble gargoyle head, reminiscent of those at Notre Dame; on the altar simple wrought iron candlesticks. Electricity is absent here, "to evoke the natural energy of the structure for meditation and complete peace." The transplanted rectory is scarcely liturgical in aspect; for all the world it could be a Beverly Hills manse, a recreated—in this case authentic— French Provincial manor house, two stately stories of mellow golden stone with tall six-paned windows and French doors opening out onto the formal parterre gardens and stone-paved drive and paths. Enter the carved oak front doors and one is through the looking glass, into a world at once elegant and ornate. At the accompanying pool cabana, one sees furnishings, collected by both the Havens and Steichen, that are nothing less than sumptuous. Provincial yes, but not lacking in silken upholstery and gilded accents. High, rustically beamed ceilings, whitewashed walls: utter simplicity is set off by luminous crystal chandeliers and antique furniture of polished figured wood. An eighteenth century Flemish tapestry, preserved under Lucite, graces the wall. The white tufted sofa, custom designed by Steichen, is Moroccan-inspired: says Steichen, "I wanted something you could flop down on, play and nap on. " The oversized ottoman, too, is custom, with its "playful and youthful embroidered pattern," created by a Hollywood costume designer. The round table is a rare 17th-18th HYLAND