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Edition 16: Constant and Refreshing

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Lewitt So with Saylor's abstractions. We are not looking for or at a murder, but we are seeing, through his lens, the constant dissolution and reconstitution of colors, textures and ciphers that make up our apprehension of a wall, a landscape, a room. Saylor is good at detecting in unexpected places a palimpsest, a surface that has been written or painted upon, effaced, then written or painted over again—a word beloved both by Gore Vidal, who titled his autobiography thus, and by painter HYLAND

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