are charcoal, a hue restful, almost hypnotic, perfect for
marathon sleeps or novel reading sessions.
In a corner of the flat reserved for work is an elegant
station, composed of two towering banks of drawers
in grey and ebony, with a black bureau plat in between.
Above hangs a large computer screen, which in this
elegant setting takes on the aspect of a slate chalkboard.
The floor boards, too, are black. The darkness of this
space envelops all elements, even the paraphernalia of
modern technology, and makes of it a soothing tableau
rather than sterile necessity.
HYLAND
