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Edition 15: Surreal Parallel

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wore these clothes to pictures of the Chateau de Haroue itself. One comes away with a concentrated glimpse of the beauty of the setting and the exhibition, a true Gesamtkunstwerk, as well as facts about each designer. I learned that Balenciaga was a monastic recluse, despite the glamour of his vocation; and that de Givenchy's muse was Audrey Hepburn. De Nicolay does not limit herself to the realm of interior design and architecture, but also turns her attention to worn decoration, the clothing we, especially women, adorn ourselves with. HYLAND

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