wore these clothes to pictures of the
Chateau de Haroue itself. One comes
away with a concentrated glimpse
of the beauty of the setting and the
exhibition, a true Gesamtkunstwerk,
as well as facts about each designer.
I learned that Balenciaga was
a monastic recluse, despite the
glamour of his vocation; and that
de Givenchy's muse was Audrey
Hepburn. De Nicolay does not limit
herself to the realm of interior design
and architecture, but also turns her
attention to worn decoration, the
clothing we, especially women, adorn
ourselves with.
HYLAND