worlds, however desperate, however "kitsch" might still
be a thing of beauty, a divine gift? Might it connect the
world of Gothic, Renaissance and Baroque ecclesiastical
architecture to aspects of their own domestic halls?
Neither constitutes the world most viewers live in but in
the extremes they represent a dichotomy, which modern
humankind seeks guidance, spiritually, to resolve.
Galtarossa and Gonzalez might or might not be individuals
of faith, but their artistic installation instructs; installed in
a Vatican gallery, it would constitute a homily: imagine
the audio!
HYLAND
