bronze Buddha, sculpted wishbone on steroids and a
gilt Regency table are set against walls limned by large
vertical and horizontal molding interspersed with verre
eglomise, with gilded silver leaf mica dust by Miriam Ellner.
The floors are faux painted to resemble marquetry.
Throughout Papachristidis' design narrative there is one
exquisitely calibrated juxtaposition after another: the
Emilio Terry inspired white stone console with eighteenth
century German silver tankards and Adam Ball's white tree
branch painting; the erstwhile conservative library with
HYLAND
