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Edition 13: Make, Break or Sustain

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color schemes, with more intense colors used frugally, in Scott's case, a red, seen only on her drawing room couch and armchairs, the color of barely dried blood. Call me macabre: this is the stuff I live for, aesthetically speaking. To me there is nothing more perfect than the right measure of attenuated primary colors. Rietveld and van Doesburg orchestrated red, blue and yellow in all their vividness and force; these same colors together, diluted or muddied a bit, are simply the cat's meow. The curtains in Scott's stately, Antique with a capital "A" minimalist living room are a citrine yellow that is neither mustard-tinged nor green. The aforesaid blood red armchairs have just one arm each—an arch, demure pair. On one wall hangs a massive calligraphic painting by Wenda Gu in black and grey on white; a headless Roman sculpture to the left attends. HYLAND

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