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Edition 12: Commerce & Design

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L ondon, June 19.���So far as I can see, a procession has value in but two ways���as a show and as a symbol; its minor functionbeing to delight the eye, its major one to compel thought, exalt the spirit, stir the heart and inflame the imagination. As a mere show, and meaningless���like a mardi-gras march���a magnificent procession is a sight worth a journey to see; as a symbol, the most colorless and unpicturesque procession, if it have a moving history back of it, is worth a thousand of it. After the civil war ten regiments of bronzed New York veterans marched up Broadway in faded uniforms and bearing faded battle flags that were mere shot-riddled rags���and in each battalion as it swung by, one noted a great gap, an eloquent vacancy where had marched the comrades who had fallen and would march no more. Always, as this procession advanced between the massed multitudes, its approach was welcomed by each block of people with a burst of proud and grateful enthusiasm���then the head of it passed and suddenly revealed these pathetic gaps and silence fell upon that block, for every man in it had choked up and could not get command of his voice and add it to the storm again for many minutes. That was the most moving and tremendous effect that I ever witnessed those affecting silences falling between those hurricanes of worshiping enthusiasm. HYLAND 2

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