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Edition 8: Tidal Routes

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writing without smoking? NM: I suffered greatly for years, which gave something to the new style, because when you���re suffering, to get the writing out when your mind is not entirely clear, you truly have to work on clarity. CB: Much of the new clarity didn���t exist before. I was just reading what James Baldwin said about ���The White Negro,��� which you published in Advertisements for Myself. He felt he couldn���t understand what you were talking about. NM: He may not have agreed, but I think he understood. He was saying, ���How dare you write about black experience?��� That irritated the hell out of me. I said, ���Jimmy, how dare you write about white experience?��� In Giovanni���s Room he had written about two white boys. My whole feeling was, of course, we can cross over. Is a man never to write about a woman? Is a woman never to write about a man? CB: The right to write about another���s consciousness is what���s at stake. NM: If we can���t do that, we may be doomed as a species. That is a large remark. But unless we are truly able to comprehend cultures that are initially alien to us, I don���t know if we are going to make it. This applies to all sorts of things. If we can���t begin to imagine the anxiety and pain and disorder that is caused in all parts of the cosmos by birds dying in the oil of the Exxon disaster, or if only a third of us can recognize that, then worse things will happen. What terrifies me about human nature is our stupidity at the highest levels. For example, all the Y2K crap going on now ��� what was going on in those guys��� heads that they couldn���t look HYLAND 31

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