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not always prevail. I wanted to get across in the Gospel that when Jesus removed demons from people, He didn���t do it for nothing. It cost Him a great deal. He was as exhausted as a magician after a long night of performance. CB: Speaking of performance, the 1996 cover subject of Provincetown Arts, Karen Finley, told me she decided to become a performance artist when, as a teenager, she witnessed speeches at the Democratic convention in Chicago in 1968, when people like Abbie Hoffman and Allen Ginsberg were giving these emotional rallies before large audiences. She saw them as an art form. The whole concept of performance art started in this political realm. In other words, there was a perception about politics as theater. In your book, Of a Fire on the Moon, about the Apollo moon shot, you have a concluding section called ���A Burial by the Sea.��� A broken-down car is buried in a P���town backyard. NM: Half-buried. CB: Half-buried. It���s almost like a religious ceremony. Heaten Vorse quoted from the Song of Solomon. Somebody else read from Numbers. NM: Eddie Bonetti read from a poem he���d written about this car that had been poorly conceived: ���Duarte Motors giveth, and terminal craftsmanship taketh away.��� You���re right, but I wouldn���t call it a religious ceremony, it was a quasi-religious ceremony. It was more moving and more sacramental, in an odd way, than anyone expected. Everything about it was bizarre. My friends, the Bankos, had this hole dug by a bulldozer, and the bulldozer pushed in the car. It sank halfway, and the half that stood up looked so much like a bug coming out of the earth that Jack Kearney welded on HYLAND 20