The conference table is assertively modern, designed
by Molyneux himself. Above it is suspended a singular
chandelier by Jan Pauwels, composed of a delicate,
spidery network of wires on which are mounted about a
hundred tiny bulbs. This sense of asymmetry evinced by
the Constructivist-inspired image and by the chandelier
show us what is unique about Molyneux���that even
when he ���does��� modern he chooses its colorful, dynamic
aspect rather than strict streamlined functionality.
The tall double doors connecting the conference room
to Molyneux���s private office are remarkable. They are
constructed of rich red lacquered panels of a Chinese
HYLAND
