T
he studio of a great designer or decorator should
arouse our curiosity and admiration, for it is the place
where his or her ideas germinate and flower, a provisional
terrain where interiors are dreamed before they are built.
It is also a private place where we may observe the
designer���s taste distilled, where we may see not only
those objects he lives with but those he works with.
Therefore it was a privilege when Juan Pablo Molyneux
sent HYLAND photographs of his office. These pictures
are still lifes rather than architectural photographs. They
describe the silence and poetry of the decorator at work.
HYLAND
