BILLY HARE at GALERIA LUCIA de la PUENTE
T
VCCA 129; Inkjet on cotton paper; Only copy
he beginning of the process which led to the
creation of the remarkable images presented here was
due to the fortuitous discovery by the artist: one of the
options of a small digital camera allows the simultaneous
register or in sequence register of a mosaic of 16 frames
in a single shot. This register fixes the variations in the
displacement of an object or of the same camera opposite
to something static. The resulting mosaics are the basic
module that, re-combined in different relations between
themselves or with variables of other registers, form the
final images. These fabric-like patterns are variations
in time and space that recall in a graphic medium our
constantly changing and fragmented experience of
reality. They are separated from the perspective of fixed
point that marks traditional photography.
HYLAND
